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Review

It's all too easy for all-girl rock bands to be fetishized just for being who they are (not to mention how depressing it is when the bands play into it too much), but this isn't a problem for Cherri Bomb. Edgy-girly name aside, the band doesn't wield its gender or sexuality as an entrance into its music. Yes, Cherri Bomb is an all-female band, and yes, the members were in their teens when they recorded this album, but they don't need to emphasize either of those facts to make compelling music. The band's full-length debut This Is the End of Control proves that Cherri Bomb is a straight-ahead rock band with talent, a rarity in the 2010s no matter how old or what sex the people in the band are. Julia Pierce and company can rock with the best of them: 'Hold On' boasts some fearsome fretwork while 'Drawing a Blank' is as angry as it is fun, with tumbling riffs and breakneck drums courtesy of Nia Lovelis. 'I don't want your opinion' Pierce sneers on the threatening, taunting 'Shake the Ground'; later, she's clever and empowering on 'Paper Doll' ('I'm not here to break your fall/I won't be your paper doll'), one of the few songs where Cherri Bomb uses typically feminine imagery to hit its point home. Every now and then, the band sweetens its sound with some pop leanings; Pierce's commanding vocals suggest Paramore's Hayley Williams in a particularly fierce frame of mind, especially on 'Too Many Faces,' while the album's sole ballad 'Heart Is a Hole' would do Evanescence proud. Fittingly, though, Cherri Bomb sounds most natural when it feels like the band is ready to explode, as on 'Raw. Real.' and 'Better This Way.' Even when the group's influences bubble to the surface, Cherri Bomb still brings its own touch to those sounds, as on 'Let It Go's Foo Fighters-esque, anthemic rush or 'Sacrificial Lamb's Queens of the Stone Age-like swampy stomp, on which Pierce is both lamb and lioness. This Is the End of Control's only flaw, if it can be called one, is that its songs are almost too tightly written, to the point where it's easy to tell when a chorus or bridge will pop up; fortunately, though, most tracks stay on the familiar side of predictable instead of boring. This Is the End of Control is an impressive debut -- Cherri Bomb make accessible music that nevertheless challenges perceptions about young female artists, and while the band's talent should guard against them being treated like a novelty, the most rebellious move the women of Cherri Bomb may make is just being who they are. ~ Heather Phares

Reception[edit]

Professional ratings
Review scores
Source	Rating
AllMusic	^[4]
Loud Magazine Australia	78%^[5]
Sputnikmusic	^[6]
PopMatters	^[7]

In her review for AllMusic, Heather Phares declared 'This Is the End of Control proves that Cherri Bomb is a straight-ahead rock band with talent, a rarity in the 2010s no matter how old or what sex the people in the band are'. She concluded by calling the album an 'impressive debut' and 'while the band's talent should guard against them being treated like a novelty, the most rebellious move the women of Cherri Bomb may make is just being who they are'.^[4] Brian Giffin of Loud Magazine Australia comments that 'Cherri Bomb have been attracting all the right kinds of attention, and much of it has even been for all the right reasons'. Serial number idm. He describes the album as 'a punchy collection of exuberant and catchy tunes that should bring a smile to the face of even the most cynical' and compliments the hooks the band writes. He concludes by calling the album a 'pretty solid debut'.^[5]

Zachary Houle of PopMatters rated the album a 6/10, calling the album 'decent enough, with no real surprises and the odd clanger in the lyrics department here and there'.^[7]

Track listing[edit]

All tracks written by Cherri Bomb, Gannin Arnold, Andy Dodd, Adam Watts and Anastasia Lovelis unless noted otherwise.

No.	Title	Writer(s)	Length
1.	'Take This Now'	Watts	0:47
2.	'Better This Way'	Cherri Bomb Watts Dodd Arnold	2:48
3.	'Raw. Real.'	2:37
4.	'Shake the Ground'	Cherri Bomb Arnold Dodd Watts	2:42
5.	'Too Many Faces'	4:44
6.	'Let It Go'	Bobby Huff Anastasia Lovelis	3:39
7.	'Sacrificial Lamb'	2:55
8.	'Act the Part'	Cherri Bomb Arnold Watts Lovelis	3:38
9.	'Drawing a Blank'	2:47
10.	'Heart is a Hole'	Bobby Huff Anastasia Lovelis	4:14
11.	'Paper Doll'	3:42
12.	'Hold On'	Cherri Bomb Watts Arnold Dodd Lovelis	3:02
Total length:			37:35

Personnel[edit]

Julia Pierce – lead vocals, lead guitar
Miranda Miller – rhythm guitar, keyboards, backing vocals
Rena Lovelis – bass guitar, backing vocals
Nia Lovelis – drums, percussion, backing vocals

Charts[edit]

Charts (2011)	Peak position
US Top Hard Rock Albums (Billboard)^[8]	24
US Heatseekers Albums (Billboard)^[9]	11

The End Of Control Kyle

References[edit]

^'Hey Violet and Terror Jr: The New Female Pop Rebels'. nytimes. Retrieved July 10, 2017.
^'Exclusive Q and A: Cherri Bomb Separate The Girls From The Boys'. Ourstage.com. August 7, 2012. Retrieved February 8, 2014.
^Cherri Bomb. 'Cherri Bomb - Awards'. AllMusic. Macrovision Corporation. Retrieved 2012-06-28.
^ ^a^bPhares, Heather. 'This Is the End of Control - Cherri Bomb'(Review). AllMusic. Macrovision Corporation. Retrieved 2012-02-21.
^ ^a^bGiffin, Brian (2012-05-15). 'Cherri Bomb - This is the End of Control'(Review). loudmag.com.au. Retrieved 2012-06-10.
^Boy, Davey (2012-05-22). 'Cherri Bomb - This Is the End of Control (staff review)'(Review). sputnikmusic.com. Retrieved 2012-06-10.
^ ^a^bHoule, Zachary. 'Cherri Bomb: This is the End of Control < PopMatters'. Popmatters.com. Retrieved 2012-06-28.
^'Cherri Bomb Chart History (Top Hard Rock Albums)'. Billboard.
^'Cherri Bomb Chart History (Heatseekers Albums)'. Billboard.

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