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Jump to navigationJump to searchFountains of Wayne performing in 2007 | |
Background information | |
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Origin | New York, New York, U.S. |
Genres | |
Years active | 1995–2013 |
Labels | |
Associated acts | |
Website | fountainsofwayne.com |
Members | Chris Collingwood Adam Schlesinger Jody Porter Brian Young |
Fountains of Wayne was an American rock band that formed in New York City in 1995. The band consisted of Chris Collingwood, Adam Schlesinger, Jody Porter, and Brian Young. The band was best known for its 2003 Grammy-nominated single 'Stacy's Mom'.
- 1Career
Career[edit]
1995–99[edit]
After Montclair-based Adam Schlesinger and Sellersville-based Chris Collingwood first met as freshmen at Williams College, they played music in various bands and eventually went their separate ways, with Collingwood forming the Mercy Buckets in Boston and Schlesinger forming Ivy in New York City. In the mid-1990s, they came together to form Fountains of Wayne, named after a lawn ornament store in Wayne, New Jersey that is no longer in business. At first Collingwood hated the name, which was suggested by Schlesinger's mother, but eventually warmed to it.[3] Previous band names included Woolly Mammoth, Are You My Mother? and Three Men Who When Standing Side by Side Have a Wingspan of Over Twelve Feet. The band cut a demo and signed with Atlantic Records, then recruited guitarist Jody Porter and still-active Posies drummer Brian Young after recording their debut album. Young got in touch with a friend who worked at Fountains of Wayne's label to see if there were any job openings, and when he auditioned for the band, they asked him to play the beat of 'Swingtown' by Steve Miller Band.[4]
Though Collingwood and Schlesinger share co-writer credit for all original Fountains of Wayne material, for most of their career together they have written their songs separately. In 2005 Collingwood said, 'We decided early on, it’s better to not have arguments that some bands have where someone might say, ‘I wrote 15% of that song,’ and try to figure out those numbers. It just seems ridiculous.” Schlesinger added, 'We just agreed many years ago that if we were to have a band we’d just split the songwriting to avoid having a conversation every time we tried to finish a song. But we really haven’t collaborated as writers in years. And that’s kind of intentional too because we didn’t want it to turn into a thing where people would say, 'Adam’s songs are like this…' We wanted the band to have an identity more than we wanted each of us to have an identity in the band.'[5]
In 1996, the band released its self-titled debut, which spawned the singles 'Radiation Vibe' and 'Sink to the Bottom', and the band toured the world extensively behind its debut album, playing alongside bands including The Smashing Pumpkins, Sloan, and The Lemonheads. That same year, Schlesinger wrote the Academy Award-nominated, RIAA gold certified title song for the film That Thing You Do!.
In 1999, the band released Utopia Parkway, an album named after a road in Queens, New York. The album was a concept record that dealt with life in modern suburbia. Utopia Parkway was received well by critics, garnering many favorable reviews, and was album of the week in People magazine. The group once again toured extensively behind the album, but frustrations grew between the band and the label. The band was later dropped by Atlantic in late 1999.
Fountains Of Wayne Wiki
2000–2011[edit]
The band was inactive for a period of time. Collingwood, in particular, had a difficult time coping with the band being dropped by their label. In 2004 he said, 'When we got dropped from Atlantic, it’s my fault that it took so long, because I wasn’t sure I wanted to keep doing it. At the end of four years of the hardest work I’d ever done in my life, more traveling and being away from my wife the whole time, I had nothing to show for it. I got back home and I had nothing. I was broke, I was demoralized, I was exhausted. I think I just needed a year to recharge my batteries.'[6]
Adam Schlesinger
Schlesinger co-wrote many of the songs for the Josie and the Pussycats film and soundtrack, produced albums for Verve Pipe, David Mead, and They Might Be Giants, and released a third record with his other band, Ivy. Collingwood formed and fronted a Northampton, Massachusetts-based pop-country band, called Gay Potatoes, and played a string of solo shows in the Boston and Los Angeles areas. Guitarist Jody Porter worked with his band, The Astrojet, alongside famed producer Gordon Raphael and keyboardist David Zhang in New York City. Percussionist Brian Young moved to Los Angeles and did session work for various artists such as producer Steve Fisk, Ivy, Heather Duby, and Greg Dulli. The band reunited recording a cover of The Kinks' 'Better Things' for the tribute album, This Is Where I Belong: Songs of Ray Davies and the Kinks, in 2001.
In 2003, the band released Welcome Interstate Managers, a successful album that spawned the Grammy-nominated RIAA gold-certified hit single, 'Stacy's Mom', which Adam Schlesinger says was a tribute to the band, The Cars; initially, the single stalled at commercial alternative radio in the US, but MTV President Judy McGrath championed the single's music video, a Fast Times at Ridgemont High homage featuring Rachel Hunter. Another song off the album, 'All Kinds of Time', was used for NFL commercial promotions during the 2005 season.[7]
In 2005, the band released Out-of-State Plates, a collection of B-sides and two new songs, which was supported by the single 'Maureen' and a limited US tour that included some acoustic-only sets, a set on PBS Soundstage, and American Songbook. Also included on the album is a 1999 cover of the Britney Spears hit, '..Baby One More Time'.
In 2006, while on tour in Tokyo, Collingwood had a mental breakdown in which he hadn't slept for four days, experienced hallucinations for two days and didn't believe that he was in Tokyo to play in front of 25,000. The show was cancelled and Collingwood was taken to an emergency department,[8] followed by recovery in a mental hospital after returning to the US.[9]
In 2007, the band released Traffic and Weather, an album which included the song 'I-95', which Rolling Stone named #54 of the year's top 100 songs.[10] Collingwood had less involvement during the making of the album due to his struggles with depression and alcoholism, only managing to contribute three songs.[9]
In 2008, Porter released his debut solo album Close to the Sun, a collection of songs he had written and recorded over a period of years in between Fountains of Wayne albums and tours.[11]
In 2009, the band released No Better Place: Live In Chicago, a live concert DVD which included newly recorded acoustic songs.[12] Also that year, they played a short run of full-band acoustic shows where they showcased songs from their forthcoming album.[13] Also, on a sadder note that year, the store for which their band was named (seen also in The Sopranos episode, 'Another Toothpick') went out of business.[14]
In 2010, Fountains of Wayne commenced work on their fifth album, which was influenced by the recent acoustic tours they had done. According to Porter, 'It’s a little bit more introspective and not as loud of a record as the last two. I think that came from the fact that we started last year doing acoustic-based tours because we didn’t have a record out. We wanted to get back out on tour and did it stripped-down. Overall it’s not as brash or guitar-heavy.'[15]
In 2011, the band released Sky Full of Holes, an album put out in Japan by Warner Music Japan (with two bonus tracks), Europe by Lojinx,[16] and the U.S. by Yep Roc Records. The now-sober Collingwood once again became more involved, but this turned out to be the hardest album for them to make. According to Collingwood in 2013, 'The most recent record was definitely the hardest that we've ever done. I think I'm partly to blame for that. I checked out on the previous record, so when I came back in, I had to assert myself. Every single thing about that record was a fight. It was not this blissful reconciliation that led to the release; it was a brutal thing right up to the end. We'll see what happens if we end up making another record.'[17]
Future plans[edit]
The band has no plans to record new material. Neither Schlesinger nor Collingwood has ruled out a future reunion, but both see the possibility as remote. 'I try never to say never,' Collingwood has said, 'but it’s staggering to think of everything that would have to happen for me to want to repeat that experience.'[18]
In 2016 Collingwood elaborated on the band's demise by saying, 'When we were recording the record before the last Fountains of Wayne record, which was called Traffic and Weather, I didn't really have a whole lot to contribute to that album. I was out to lunch a little bit, mentally, and just drinking too much. And I think that the fact that I sort of removed myself from the process at that point made it really easier for Adam to take over. And when I was ready to actually make another album, you know, several years later after I'd sort of cleaned up my act, it was very difficult. It was very, very hard to get back into the position where we were equals.'[19]
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Porter and Young joined Schlesinger in 2016 on The Monkees album Good Times!, and again in 2018 on the group's Christmas Party. Schlesinger produced and wrote songs for both albums.
Discography[edit]
- Studio albums
- Fountains of Wayne (1996)
- Utopia Parkway (1999)
- Welcome Interstate Managers (2003)
- Traffic and Weather (2007)
- Sky Full of Holes (2011)
Film and television[edit]
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Group members[edit]
- Chris Collingwood – lead vocals, rhythm guitar, keyboards
- Adam Schlesinger – bass, guitar, keyboards, drums, backing vocals
- Jody Porter – lead guitar, backing vocals
- Brian Young – drums, percussion
References[edit]
- ^ abLeahey, Andrew. 'Fountains of Wayne – Biography'. AllMusic. Retrieved December 26, 2009.
- ^'the top 10 geek rock bands'.
- ^Simons, Ted (May 1, 1997). 'Wayne's World'. Phoenix New Times. Retrieved January 4, 2019.
- ^Rashidi, Waleed (April 2007). 'Brian Young of Fountains of Wayne'. Modern Drummer. Retrieved January 4, 2019.
- ^Luerssen, John D. (July 1, 2005). 'Fountains of Wayne: Bright Future in Sales'. American Songwriter. Retrieved January 4, 2019.
- ^Jacobs, Jay S. (January 9, 2004). 'Fountains of Wayne: Bright Future in Record Sales'. PopEntertainment.com. Retrieved January 4, 2019.
- ^'Fountains of Wayne.us'. Fountains of Wayne.us. Retrieved December 28, 2012.
- ^Shapiro, Lexi (June 26, 2007). 'Fountains of Wayne'. They Will Rock You. Retrieved January 4, 2019.
- ^ abMyers, Paul (August 3, 2011). 'Fountains of Wayne: Ironic No More'. Paste. Retrieved January 4, 2019.
- ^'Rolling Stone slights Rihanna and embraces Newman on 2007 singles Prefix'. Prefixmag.com. Retrieved December 28, 2012.
- ^'Fountains of Wayne guitarist for solo career'. NME. July 23, 2008. Retrieved January 5, 2019.
- ^'Fountains of Wayne: No Better Place - Live in Chicago: Chris Collingwood, Steven M. Gold, Jody Porter, Adam Schlesinger, Brian Young, Joe Thomas, Gregory David: Movies & TV'. Amazon.com. Retrieved December 28, 2012.
- ^'Fountains of Wayne News – Fall '08'. Fountains of Wayne. October 18, 2008. Archived from the original on May 8, 2008. Retrieved 2008-11-04.
- ^Valby, Karen. 'Fountains of Wayne: Going out of business? The Music Mix EW.com'. Music-mix.ew.com. Retrieved December 28, 2012.
- ^Souleo (September 14, 2010). 'Out of the Shadows, Into the Light: An Interview with Jody Porter'. Popmatters. Retrieved January 5, 2019.
- ^'Lojinx // Fountains of Wayne / Sky Full of Holes album'. Lojinx.com. Retrieved April 18, 2014.
- ^Kleinman, David (March 6, 2013). 'Fountains of Wayne performs songs from newest release at Sellersville'. The Mercury. Retrieved January 4, 2019.
- ^Lambeth, Sam (April 13, 2016). 'Interview: Fountains of Wayne'. Louder Than War. Retrieved May 27, 2016.
- ^Hu, Elise (July 24, 2016). 'Fountains of Wayne's Chris Collingwood Returns With New Project 'Look Park''. NPR. Retrieved January 4, 2019.
External links[edit]
Wikimedia Commons has media related to Fountains of Wayne. |
- Fountains of Wayne discography at MusicBrainz
Fans waiting for Fountains of Wayne to finally quit goofing around and release a sonically experimental, brooding collection of 'serious music' are just going to have to keep waiting. Luckily, the number of their listeners hoping for anything besides another infectious batch of sunny singalong numbers from Adam Schlesinger, Chris Collingwood, and company is probably about the same as the number of people waiting for the White Stripes to record a smooth jazz record. On the mind-numbingly charming Welcome Interstate Managers, Fountains of Wayne do what they do best. And while they reinforce their reputation as the reigning deities of uptempo, big-guitar pop/rock with feel-good anthems like 'Mexican Wine,' 'Bright Future in Sales,' 'Stacy's Mom,' and 'Little Red Light,' they also continue their proud tradition of mellow yet equally tongue-in-cheek tunes. While their debut album had 'Sick Day' and 'You Curse at Girls,' and Utopia Parkway featured 'Prom Theme' and 'The Senator's Daughter,' Welcome Interstate Managers introduces 'Fire Island,' a plea to be left home alone when the parents go on vacation, and 'All Kinds of Time,' perhaps the best (and first) musical interpretation of a slow-motion football replay ever recorded. But the bouncing acoustic guitars of 'Hey Julie' are definitely the high point. This time, the one flaw may simply be that the group doesn't know when to say when. Their two previous releases closed with lazy ballads, and this time they build to a perfect finale with 'Fire Island.' Unfortunately, they follow it with four more songs that add little to the quality of the album. Still, CD players were made with skip buttons for a reason, and too much material is usually preferable to too little. Even without the last four tracks, Welcome Interstate Managers had more than enough pitch-perfect melodies and smile-inducing lyrics to make it a defining album for the summer of 2003. And if that's not your thing, well, maybe some winter they'll finally put out that somber record you've been waiting for.
Title/Composer | Performer | Time | Stream |
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1 | 3:22 | SpotifyAmazon | |
2 | Chris Collingwood / Adam Schlesinger | 3:06 | SpotifyAmazon |
3 | 3:17 | SpotifyAmazon | |
4 | Chris Collingwood / Adam Schlesinger | 3:00 | SpotifyAmazon |
5 | 4:06 | SpotifyAmazon | |
6 | Chris Collingwood / Adam Schlesinger | 3:34 | SpotifyAmazon |
7 | 4:21 | SpotifyAmazon | |
8 | Chris Collingwood / Adam Schlesinger | 3:34 | SpotifyAmazon |
9 | 2:36 | SpotifyAmazon | |
10 | Chris Collingwood / Adam Schlesinger | 3:35 | SpotifyAmazon |
11 | 3:58 | SpotifyAmazon | |
12 | Chris Collingwood / Adam Schlesinger | 2:56 | SpotifyAmazon |
13 | 3:26 | SpotifyAmazon | |
14 | Chris Collingwood / Adam Schlesinger | 4:01 | SpotifyAmazon |
15 | 5:05 | SpotifyAmazon | |
16 | Chris Collingwood / Adam Schlesinger | 1:02 | SpotifyAmazon |